Portuguese cinema has become increasingly prominent on the international film festival circuit, proving the country's size belies its cultural impact. From the prestige of directors Manoel de Oliveira, Pedro Costa and Miguel Gomes, to box-office hit La Cage Doree, aspects of Portuguese national cinema are widely visible although the output is comparatively small compared to European players like the UK, Germany and France.

In this volume, Nicholas R. Jones analyzes white appropriations of black African voices in Spanish theater from the 1500s through the 1700s, when the performance of Africanized Castilian, commonly referred to as habla de negros (black speech), was in vogue. Focusing on Spanish Golden Age theater and performative poetry from authors such as Calderón de la Barca, Lope de Rueda, and Rodrigo de Reinosa, Jones makes a strong case for revising the belief, long held by literary critics and linguists, that white appropriations and representations of habla de negros language are "racist buffoonery" or stereotype. Instead, Jones shows black characters who laugh, sing, and shout, ultimately combating the violent desire of white supremacy. By placing early modern Iberia in conversation with discourses on African diaspora studies, Jones showcases how black Africans and their descendants who built communities in early modern Spain were rendered legible in performative literary texts. Accessibly written and theoretically sophisticated, Jones's groundbreaking study elucidates the ways that habla de negros animated black Africans' agency, empowered their resistance, and highlighted their African cultural retentions. This must-read book on identity building, performance, and race will captivate audiences across disciplines.

For generations maps of the pilgrimage roads and of the reconquista have bedevilled the study of Spanish art and architecture. They have also infiltrated the popular imagination and come to dominate the ways we think about Spain and Portugal. Art in Spain and Portugal from the Romans to the Early Middle Ages: Routes and Myths sets out to diminish the power of these images and to enrich the wider English-language literature on early medieval art. Starting with the Romans and working through the vertical layers to the early Romanesque period Rose Walker draws together scholarly work hitherto confined within disciplinary boundaries, specialist regional studies, and findings familiar only to Spanish-speaking audiences. The author builds on these studies and her own research to present narratives that question art historical and archaeological orthodoxies. New perspectives emerge from the routes along which wealth and artistic expertise crossed the peninsula, showing the endurance of the north-south axis and the strength of networks and pragmatic alliances that often operated without regard for religious difference.