Theatre

Theatrical scene design is one of the most beautiful, varied, and lively art forms. Yet there are relatively few books on the subject, and almost none for a general audience that combine expansive scholarship with lavish design. Making the Scene offers an unprecedented survey of the evolving context, theory, and practice of scene design from ancient Greek times to the present, coauthored by the world's best-known authority on the subject and enhanced by three hundred full-color illustrations. Individual chapters of the book focus on Greece, Rome, Medieval Europe (including liturgical drama, street pageants, festival outdoor drama, Spanish religious drama, and royal entries), the Italian Renaissance, eighteenth-century Europe, Classicism to Romanticism, Realism and Naturalism, Modernism, and contemporary scene design. Making the Scene's authors review everything from the effects of social status on theatre design to the sea changes between Classicism, Romanticism, and Naturalism and the influence of perspective-based thought. Particularly intriguing is their rediscovery of lost tricks and techniques, from the classical deus ex machina and special effects in coliseums to medieval roving stage wagons and the floating ships of the Renaissance to the computerized practices of today's theatres. Such ingenious techniques, interwoven with the sweeping beauty of scene design through the ages, combine with the keen scholarship of Oscar Brockett and Margaret Mitchell to create a book as involving as the art it showcases.

Theatrical Design and Production is a comprehensive and practical survey that examines the technical and design aspects of play production, including scene design and construction, lighting, sound, costume, and makeup. Design is presented as both an art closely integrated with the director's, actor's, and playwright's visions, and a craft that provides practical solutions for the physical manipulation of stage space. Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect® is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following: * SmartBook® - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content. * Access to your instructor's homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course. * Progress dashboards that quickly show how you are performing on your assignments and tips for improvement. * The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping. Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

The McCandless Method, Groundbreaking and Timeless Theater Lighting Design Stage lighting is an essential element of the theater experience. Giving visibility where and when it is wanted, proper lighting stimulates the wonder of being there. In brightness and darkness, color and pattern create an atmosphere of inherent drama, allowing new horizons for artistic expression. Stanley McCandless was a Harvard-trained architect whose work and passion led him to become a pioneer in the field of theatrical lighting design. McCandless served amongst the first faculty at the Yale School of Drama, where he taught lighting design for almost 40 years. During his tenure at Yale he designed a system known as the McCandless Method, as outlined in A Method of Lighting the Stage, which is still widely used today. There are four steps to the McCandless Method: - Lighting the Acting Area - Blending and Toning the Acting Areas - Lighting the Background - Creating Special Effects McCandless also designed specific house lights for the Center Theater in New York's Radio City, which were later developed into the ellipsoidal reflector spotlight. This lighting fixture has become the staple for theater lighting inventories in America. By enhancing all aspects of theatrical lighting, from the engineering of lighting instruments to designing realized theatrical productions, McCandless truly earned his moniker, "The father of modern lighting design." This printing has remastered schematics showing lighting placement, builds, and parts. This book is also available from Echo Point Books as a hardcover (ISBN 1635617138).

Since its first publication in 1980, The Costume Technician's Handbook has established itself as an indispensable resource in classrooms and costume shops. Ingham and Covey draw on decades of hands-on experience to provide the most complete guide to developing costumes that are personally distinctive and artistically expressive. No other book covers the same breadth of necessary topics for every aspect of costuming, from the basics of setting up a costume shop to managing one and everything in between.

"A lucid, well-organized survey of the almost infinite variety of production spaces of western theatre.... Carlson's survey must be admired for its wealth of carefully researched and elegantly articulated information concerning the relation of urban planning, architecture, and interior and exterior theatre embellishment to the social, political, economic and occasionally even aesthetic purposes of those responsible for these 'signifiers.'"--Theatre Journal In this generously illustrated volume, Marvin Carlson uses models from architectural and urban semiotics to show how a theatre building and its location within a city reflect society's attitudes and concerns.