LGBTQ+ Resources

When "rights" go wrong. Does gay marriage support the right-wing goal of linking access to basic human rights like health care and economic security to an inherently conservative tradition? Will the ability of queers to fight in wars of imperialism help liberate and empower LGBT people around the world? Does hate-crime legislation affirm and strengthen historically anti-queer institutions like the police and prisons rather than dismantling them?  The Against Equality collective asks some hard questions. These queer thinkers, writers, and artists are committed to undermining a stunted conception of "equality." In this powerful book, they challenge mainstream gay and lesbian struggles for inclusion in elitist and inhumane institutions. More than a critique, Against Equality seeks to reinvigorate the queer political imagination with fantastic possibility!  "In an era when so much of the lesbian and gay movement seems to echo the rhetoric of the mainstream Establishment, the work of Against Equality is an important provocation and corrective.... I hope this book is read widely, particularly by the people who will most disagree with it; in the tradition of the great political pamphleteers, this collection should spark debate around some of the key issues for our movement." --Dennis Altman, author of Homosexual: Oppression & Liberation  "Against Equality  issues a radical call for social transformation. Against and beyond the "holy trinity" of pragmatic gay politics--marriage, militarism, and prison--the queer and trans voices archived in this collection offer a radical left critique of neoliberalism, capitalism, and state oppression. In a format accessible and enlivening, equally at home in the classroom and on the street, this book keeps our political imaginations alive. Prepare to be challenged, educated, and inspired." --Margot Weiss, author of Techniques of Pleasure In Oakland, California on March 24, 2015 a fire destroyed the AK Press warehouse along with several other businesses. Please consider visiting the AK Press website to learn more about the fundraiser to help them and their neighbors.

Applause Theatre & Cinema Books is proud to announce the publication of the first collected anthology of gay and lesbian plays from the entire span of the twentieth century sure to find wide acceptance by general readers and to be studied on campuses around the world. Among the ten plays three are completely out of print.ÞIncluded are ÊThe God of VenegeanceÊ (1918) by Sholom Ash the first play to introduce lesbian characters to an English-language audience; Lillian Hellman's classic ÊThe Children's HourÊ (1933) initially banned in London and passed over for the Pulitzer Prize because of its subject matter; and ÊOscar WildeÊ (1938) by Leslie and Sewell Stokes a major award-winning success that starred Robert Morley.ÞMore recent plays include Mart Crowley's ÊThe Boys in the BandÊ (1968) the first hit out gay play that was the most realistic and groundbreaking portrayal of gays on stage up to that time; Martin Sherman's ÊBentÊ (1978) which daringly focused on the love between two Nazi concentration camp inmates and starred Richard Gere; William Hoffman's ÊAs IsÊ (1985) which was one of the first plays to deal with the AIDS crisis and earned three Tony Award nominations; and Terrence McNally's ÊLove! Valour! Compassion!Ê (1994) which starred Nathan Lane and won the Tony Award for Best Play.ÞThe other plays are Edouard Bourdet's ÊThe CaptiveÊ (1926) Ruth and Augustus Goetz's ÊThe ImmoralistÊ (1954) and Frank Marcus' ÊThe Killing of Sister GeorgeÊ (1967). ÊForbidden ActsÊ includes a broad range of theatrical genres: drama tragedy romance comedy and farce. They remain vibrant and relevant today as a testament of art's ability to persevere in the face of oppression.

A necessary and relevant addition to the Black LGBTQ literary canon, which oftentimes overlooks Black lesbian writing, Lez Talk is a collection of short stories that embraces the fullness of Black lesbian experiences. The contributors operate under the assumption that "lesbian" is not a dirty word, and have written stories that amplify the diversity of Black lesbian lives. At once provocative, emotional, adventurous, and celebratory, Lez Talk crosses a range of fictional genres, including romance, speculative, and humor. The writers explore new subjects and aspects of their experiences, and affirm their gifts as writers and lesbian women. Beginning with Sheree L. Greer's "I Can't Turn it Off," a short, powerful tale imbued with socio-political undercurrents, the collection also includes work from Claudia Moss, LaToya Hankins, Lauren Cherelle, K.A. Smith, S. Andrea Allen, Faith Mosley, and Eternity Philops.

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Nonbinary gender identities are those that fall outside the traditional binary of "man" and "woman." These include genderfluid, androgynous, genderqueer, and a multitude of other identity terms, some of which overlap. Although there have always been people who identify outside the gender binary, only recently have they gained popular media attention. Despite some visibility, however, nonbinary gender identities are poorly understood by the general public. It is critically important for gender minorities to find themselves in the media that they consume. Just as important is the need for those outside the minority community to understand and appreciate them. Nonbinary gender identities are represented in books and other media, but these resources prove difficult to locate, as classification vocabulary doesn't evolve as quickly as community language. Reference sources identified include archives and special collections, theses and dissertations, key journals, and related organizations and associations. This timely resource--the first reference on nonbinary gender identities--offers an accessible entry into researching this topic. Written by a nonbinary scholar and librarian, this guide includes valuable appendixes that will aid every researcher and writer: a glossary of the rich vocabulary emerging from nonbinary communities; a guide to pronoun usage; a primer on sex, sexuality, and gender; and Library of Congress Classification information.

"Queer Threads: Crafting Identity and Community" spotlights an international, intergenerational, intersectional mix of thirty artists who are remixing fiber craft traditions, such as crochet, embroidery, quilting, and sewing, while reconsidering the binaries of art and craft, masculine and feminine, and gay and straight.Designed by Todd Oldham and edited by John Chaich, this 192-page, hardcover, 8 x 10-inch book features full-color spreads of each artist's work, along with intimate details of selections and artist studios, as well as an introductory essay by Chaich, who curated the exhibition of the same name that inspired this book.To further examine how queerness informs their work in fiber and textiles, or vice versa, the artists are interviewed by makers and thinkers from the worlds of dance, design, fashion, media, music, museums, scholarship, and more--many members of the LGBTQ community themselves, and otherwise passionate allies.Smart yet playful, critical yet celebratory, the resulting dialogues are as colorful, challenging, personal, and universal as the works discussed and talents showcased."Queer Threads" is not just an exploration of fiber art and crafts, but also a celebration of the creativity, diversity, and vibrancy of contemporary queer culture.

Discussions of gender and sexuality have become part of mainstream conversations and are being reflected in the work of more and more writers of fiction, particularly in literature aimed at young adult audiences. But young readers, regardless of their sexual orientation, don't always know what books offer well-rounded portrayals of queer characters and situations. Fortunately, finding positive role models in fiction that features LGBTQ+ themes has become less problematic, though not without its challenges. In Representing the Rainbow in Young Adult Literature: LGBTQ+ Content since 1969, Christine Jenkins and Michael Cart provide an overview of the literary landscape. An expanded version of The Heart Has Its Reasons, this volume charts the evolution of YA literature that features characters and themes which resonate not only with LGBTQ+ readers but with their allies as well. In this resource, Jenkins and Cart identify titles that are notable either for their excellence--accurate, thoughtful, and tactful depictions--or deficiencies--books that are wrongheaded, stereotypical, or outdated. Each chapter has been significantly updated, and this edition also includes new chapters on bisexual, transgender, and intersex issues and characters, as well as chapters on comics, graphic novels, and works of nonfiction. This book also features an annotated bibliography and a number of author-title lists of books discussed in the text that will aid teachers, librarians, parents, and teen readers. Encompassing a wider array of sexual identities, Representing the Rainbow in Young Adult Literature is an invaluable resource for young people eager to read about books relevant to them and their lives.

Despite significant advances for gay and transgender persons in the United States, the public school environment remains daunting, even frightening, as evidenced by numerous high-profile incidents of discrimination, bullying, violence, and suicide. Yet efforts to protect the rights of lesbian, gay, bisexual, and transgender (LGBT) students and educators, or to enhance curricula to better reflect the experience of differing sexual orientations and gender identities, are bitterly opposed in the courtroom, at the ballot box, and especially in the schools themselves. The Right to Be Out begins with a cogent history and analysis of the dramatic legal developments concerning the rights of LGBT persons since 1968. Stuart Biegel then turns to what K-12 schools should do-and in many cases have already done-to implement right-to-be-out policies. He examines recent legal and public policy changes that affect LGBT students and educators in the K-12 public school system. Underlying all of these issues, he shows, is an implicit tension about the right to be out, a right that is seen as fundamental within LGBT communities today and, legally, draws on both the First Amendment right to express an identity and the Fourteenth Amendment right to be treated equally. Biegel addresses the implications of asserting and protecting this right within the hotly contested terrain of America's public schools. This book is a valuable resource for K-12 school administrators, parents, teacher organizations, mental health professionals and school counselors, LGBT advocacy groups, and the legal community. A safe and supportive educational environment for all students is possible, Biegel concludes, if built on shared values and a belief in the strength of our pluralistic society.

On the surface, Niru leads a charmed life. Raised by two attentive parents in Washington, D.C., he's a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders and the one person who seems not to judge him. When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine. Neither will escape unscathed.

Transgender Communication Studies: Histories, Trends, and Trajectories brings scholarship in transgender studies to the forefront of the communication discipline. Leland Spencer and Jamie Capuzza provide a broad foundation that documents the evolution of transgender communication studies and challenges fundamental assumptions about the relationship between communication and identity. The contributors explore the political conditions these practices create for persons across the spectrum of gender identities and sexual orientations, placing them in the subdisciplines of human communication, media, and public and rhetorical communication. The collection also looks to the future of transgender research with suggestions and directives for continued work. This comprehensive study inspires critical thinking about gender identity and transgender lives from within the vocabularies and methodologies of communication studies.

The story of Christine Jorgensen, America's first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives--ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence. Drawing on a deep and varied archive of materials--early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films--Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the "father of American gynecology," to the negation of blackness that makes transnormativity possible. Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of "cross dressing" and canonical black literary works that express black men's access to the "female within," Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don't Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

From the highly acclaimed, award-winning author of The Gods of Tango, a revolutionary new novel about five wildly different women who, in the midst of the Uruguayan dictatorship, find one another as lovers, friends, and ultimately, family. In 1977 Uruguay, a military government crushed political dissent with ruthless force. In this environment, where the everyday rights of people are under attack, homosexuality is a dangerous transgression to be punished. And yet Romina, Flaca, Anita "La Venus," Paz, and Malena--five cantoras, women who "sing"--somehow, miraculously, find one another. Together, they discover an isolated, nearly uninhabited cape, Cabo Polonio, which they claim as their secret sanctuary. Over the next thirty-five years, their lives move back and forth between Cabo Polonio and Montevideo, the city they call home, as they return, sometimes together, sometimes in pairs, with lovers in tow, or alone. And throughout, again and again, the women will be tested--by their families, lovers, society, and one another--as they fight to live authentic lives. A genre-defining novel and De Robertis's masterpiece, Cantoras is a breathtaking portrait of queer love, community, forgotten history, and the strength of the human spirit. At once timeless and groundbreaking, Cantoras is a tale about the fire in all our souls and those who make it burn.

Still smarting years after a horrible breakup, Rayanne diligently buries herself in her work. Aside from work, she has her cat. And other than her cat, she has her crushes: crushes that she prides herself on being able to resist. Then unexpectedly, one of her crushes beings to affect her more than the others, and threatens to upset the delicate balance of her carefully controlled life. Ali is still feeling lost and numb almost a year after the death of her wife. Then one ordinary day something extraordinary happens: she is ambushed by her attraction to another woman that is both invigorating and fantastically inappropriate. Whether she's ready for it or not, it stirs up feelings Ali didn t think she was capable of having anymore.

NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE "A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum." --Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain's colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London's funding-deprived schools; Carole, one of Shirley's former students, is a successful investment banker; Carole's mother Bummi works as a cleaner and worries about her daughter's lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

Nonbinary gender identities are those that fall outside the traditional binary of "man" and "woman." These include genderfluid, androgynous, genderqueer, and a multitude of other identity terms, some of which overlap. Although there have always been people who identify outside the gender binary, only recently have they gained popular media attention. Despite some visibility, however, nonbinary gender identities are poorly understood by the general public. It is critically important for gender minorities to find themselves in the media that they consume. Just as important is the need for those outside the minority community to understand and appreciate them. Nonbinary gender identities are represented in books and other media, but these resources prove difficult to locate, as classification vocabulary doesn't evolve as quickly as community language. Reference sources identified include archives and special collections, theses and dissertations, key journals, and related organizations and associations. This timely resource--the first reference on nonbinary gender identities--offers an accessible entry into researching this topic. Written by a nonbinary scholar and librarian, this guide includes valuable appendixes that will aid every researcher and writer: a glossary of the rich vocabulary emerging from nonbinary communities; a guide to pronoun usage; a primer on sex, sexuality, and gender; and Library of Congress Classification information.

Ozzie and Harriet, move over. A new couple is moving into the neighborhood. In the postmodern era, advances in medical technologies allow some individuals categorized female at birth to live in accordance with their gender identities, as men. While a growing body of literature on transgendermen's experiences has come to the forefront, relatively little exists to document the experiences of their partners. In Queering Families: The Postmodern Partnerships of Cisgender Women and Transgender Men, Carla A. Pfeffer brings these experiences to light through interviews with the group mostlikely to partner and form families with transgender men: non-transgender (cisgender) women.Drawing upon in-depth interviews with fifty cisgender women partners of transgender men from across the United States and Canada, Pfeffer details the experiences of a community that often seems unremarkable and ordinary on its surface. Cisgender women who partner with transgender men who aresocially "read" as male are often (mis)perceived as part of a heterosexual couple or family. Yet not all cisgender women who partner with transgender men are comfortable with this invisible existence and comfortable normativity. Instead, many of the cisgender women Pfeffer interviews holddeeply-valued queer identities that may be erased in their partnerships with transgender men.Queering Families details the struggles and strengths of these postmodern "Harriets" as they work to build identities, partnerships, families, and communities. Pfeffer's interviewees discuss the implications of visibility and invisibilty in their everyday lives as they face barriers or pathways tolegal and social inclusion. They carve out new lexicons for partners' bodies and their own sexualities, transformed through gender-affirming hormones and surgeries. They plan and construct families with and without children, some drawing upon alternative reproductive technologies to bear thebiological offspring of their transgender partners.With remarkable depth and insight, Queering Families explores a shifting social landscape that challenges the very notion of what constitutes a "same-sex" or an "opposite-sex" relationship, marriage, or family.

In this groundbreaking volume, Shinsuke Eguchi and Bernadette Marie Caiafell expand the field of queer studies to consider cultural difference and how it affect everyday communication across the globe. These authoritative essays from both established and emerging scholars bring us cases of lesbian, gay, bisexual, transgender, and queer (LGBTQ) people across race, ethnicity, gender, culture, nation, and body. Intercultural communication has not traditionally focused extensively on the topics of sexuality or LGBTQ politics. Rather, the field has repeatedly studied cultures and cultural differences without their connections to sexuality or LGBTQ politics. Using theories and methods from anthropology, women's studies, LGBTQ and sexuality studies, and communication studies, Queer intercultural Communication provides new tools for the theory, research, and teaching of the ways in which gender, sexuality, and culture intersect. The book focuses on nonwhite middle- to upper-class genders and sexualities as a way of adding LGBTQ studies to intercultural communication studies and allowing for connections to be made between the local, national, and transnational processes of communication. Eguchi and Carafe encourage readers to approach the field of queer intercultural communication as a necessary, relevant and exciting area of communication research and teaching. Book jacket.

"Queer Threads: Crafting Identity and Community" spotlights an international, intergenerational, intersectional mix of thirty artists who are remixing fiber craft traditions, such as crochet, embroidery, quilting, and sewing, while reconsidering the binaries of art and craft, masculine and feminine, and gay and straight.Designed by Todd Oldham and edited by John Chaich, this 192-page, hardcover, 8 x 10-inch book features full-color spreads of each artist's work, along with intimate details of selections and artist studios, as well as an introductory essay by Chaich, who curated the exhibition of the same name that inspired this book.To further examine how queerness informs their work in fiber and textiles, or vice versa, the artists are interviewed by makers and thinkers from the worlds of dance, design, fashion, media, music, museums, scholarship, and more--many members of the LGBTQ community themselves, and otherwise passionate allies.Smart yet playful, critical yet celebratory, the resulting dialogues are as colorful, challenging, personal, and universal as the works discussed and talents showcased."Queer Threads" is not just an exploration of fiber art and crafts, but also a celebration of the creativity, diversity, and vibrancy of contemporary queer culture.

On June 28, 1969, the Stonewall Inn, a gay bar in New York's Greenwich Village, was raided by police. But instead of responding with the routine compliance the NYPD expected, patrons and a growing crowd decided to fight back. The five days of rioting that ensued changed forever the face of gay and lesbian life. In Stonewall, renowned historian and activist Martin Duberman tells the full story of this pivotal moment in history. With riveting narrative skill, he recreates those revolutionary, sweltering nights in vivid detail through the lives of six people who were drawn into the struggle for LGBTQ rights.

"A heady admixture of explosive plot and taut, burnished prose . . . Mesha Maren writes like a force of nature." --Lauren Groff, author of Florida In 1989, Jodi McCarty is seventeen years old when she's sentenced to life in prison. When she's released eighteen years later, she finds herself at a Greyhound bus stop, reeling from the shock of unexpected freedom but determined to chart a better course for herself. Not yet able to return to her lost home in the Appalachian Mountains, she heads south in search of someone she left behind, as a way of finally making amends. There, she meets and falls in love with Miranda, a troubled young mother living in a motel room with her children. Together they head toward what they hope will be a fresh start. But what do you do with your past--and with a town and a family that refuses to forget, or to change? Set within the charged insularity of rural West Virginia, Mesha Maren's Sugar Run is a searing and gritty debut about making a break for another life, the use and treachery of makeshift families, and how, no matter the distance we think we've traveled from the mistakes we've made, too often we find ourselves standing in precisely the place we began.